Music Pick of the Week

Mega Bog

Dolphine

Year of release: 2019

by Jericho Cerrona

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Multi-instrumentalist Erin Birgy has been crafting art-pop for nearly a decade now, and her latest release under the Mega Bog moniker, Dolphine, is perhaps the clearest distillation of her talents thus far. The album takes some of its inspiration from the late science fiction writer Ursula K. Le Guin, and there’s certainly an otherworldly atmosphere at play here. At moments, the sounds conjured bring to mind the pastoral folk of Toni Mitchell, the quirky arrangements of Cate Le Bon, the electronic sweep of Stereolab, and the psych-jazz experiments of Sun Ra. Of course, Birgy is very much doing her own thing, and the greatest triumph of Dolphine is its refusal to fall into easy genre categorizations.

From song to song, the unique mood almost resists standard song structure, while never deviating too far from a sense of melody. The smooth jazz folk of opener “For the Old World” is soothing at first, but then disconcerting woodwinds, scattering percussion, and eerie vocals crop up creating a sense of tension. Elsewhere, on “Diary of a Rose”, the lead guitar line instantly recalls Radiohead, while the song itself stops and starts, going from blaring jangle-pop to gentle strumming and whispered lines and then back again. “Truth in the Wind” is ethereal and jaunty, but one can feel a deep sadness just behind the witty metaphors. The death of animals and loved ones is a recurring central theme throughout, and no matter how colorful the compositions, Birgy is able to funnel darker emotions through her art.

That her art doesn’t fit neatly into an emotional catharsis or defining trait that we, as the listener, can easily identify, makes the record all the more transporting. The swirling horns, electronic flourishes, strange vocal noises, and Birgy’s stream of consciousness lyrics gives off the impression of an apocalyptic dream on “Shadows Break”, while the charming duet with recently deceased Georgia musician Ash Rickli “Spit in the Eye of the Fire King” brings the New-Agey pastoral vibes back once again. That’s the thing about Dolphine; it’s a record which gives you the full spectrum without every explicitly telling you what part of the spectrum you are actually listening to.