Cate Le Bon
Year of release: 2019
by Jericho Cerrona
Welsh musician Cate Le Bon is nothing if not prolific. In between her last LP, 2016’s Crab Day, she collaborated with White Fence’s Tim Presley under the DRINKS moniker and performed production on Deerhunter’s latest release Why Hasn’t Everything Already Disappeared? Even with this in mind, her latest album, Reward, is nothing short of a revelation. While Crab Day centered around quirky arrangements, off-kilter guitar riffs, and recurring loops, Reward sees Le Bon pushing herself into more introspective territory; with most of the songs structured around piano, airy guitar, and beguiling vocals. Of course, that doesn’t mean Le Bon has sacrificed any of her idiosyncrasy. On the contrary; the added elements of sax, synths, and restrained percussion means these compositions feel even more organic.
Throughout the album, there’s a tension between absurdity and melancholy. Songs like orchestral opener “Miami” and soft rock ballad “Daylight Matters” are beautiful, but also intensely sad. The weirdo pop quirk factor gets turned up on “Magnificent Gestures”, which sounds like an alien funk song, and the Berlin era Bowie-esque “Mother’s Mothers Magazines”, which hems closer to the avant-pop repetition of her DRINKS output, but with more dynamic instrumentation. However, the greatest triumph of Reward is how Le Bon allows space within these layered compositions. Nothing seems too cluttered or over-produced. Every note, guitar lick, piano motif, and vocal refrain feels perfectly suited. Every song works to bring a larger context into view.
Many reclusive artists choose to shelter themselves from society, locking themselves in isolation in order to record something which speaks to feelings of loneliness, and the process of bringing Reward to life follows this narrative. Rather than simply sequestering herself in a cabin for a few weeks, though, Le Bon spent a year living in the Cumbrian mountains while making homemade furniture and writing music when inspiration struck. Unrequited love, emotional failure, and the need for personal reinvention are key themes here, but at no point does Le Bon give into ennui. When she sings Love is beautiful to me, love is you on closer “Meet the Man'“, for example, you believe her completely, and thats no small accomplishment.