Year of release: 2019
by Jericho Cerrona
Norwegian four-piece Pom Poko want to party, and they’re bringing a VIP list of influencers with them; namely Deerhoof, Battles, Marnie Stern, and French musician/poet Lizzy Mercier Descloux. Of course, simply name-checking various artists to which a band is indebted scans reductive, and on their exuberant debut album, Birthday, Pom Poko manage to break out into their own groove. Having met and studied jazz at Trondheim Music Conservatory, there’s a technicality to the outfit’s brand of art-rock; with odd time signatures, off-kilter arrangements, and singer Ragnhild Fangel Jamtveit’s childlike vocals, but there’s sublime pop hooks here too.
Taking their name after a 1994 Studio Ghibli film is instructive, since much of Birthday carries a quirky Japanese vibe (especially Jamveit’s yelping vocal delivery, which is reminiscent of Deerhoof’s Satomi Matsuzaki). Even if the overall tenor of the album is upbeat, slower to mid-tempo tracks like “My Work is Full of Art” and “Honey” does find the band flexing subtler sonic arrangements. The breakneck guitar riffs and cooing vocals on “My Blood” and percussive cowbell-adjacent “Crazy Energy Night” tend to be the norm, infusing the proceedings with a dizzying sense of play. The intricate guitar work, propulsive drumming, and odd entry points into melody might be accomplished with the inventiveness of trained jazz musicians, but there’s nothing calculated about Pom Poko’s joyous attempts at creating warped pop music.