Liberating Guilt and Fear
Year of release: 2018
Sometimes, brevity can be liberating. Take Philadelphia noisemakers Empath's latest four-track cassette Liberating Guilt and Fear; part jagged post-punk, part experimental noise, with a side of deranged bird noises. Similar to now defunct art-rock four-piece Ponytail with the kind noodling usually reserved for drug trips, it's 16 minutes of lo-fi racket led by singer/guitarist Catherine Elicson, drummer Garrett Koloski, keyboardist Emily Shanahan, and Randall Coon on synths. As a unit, Empath pull out some sugary hooks, shout-along choruses, and bright keyboard melodies from the thick haze of shronking instrumentation.
Then there's those bird chirps, which inform at least two of the four tracks here. The 9-minute headscratcher, "III", for example, uses those tweeting noises as a backdrop for wind chimes, rolling drum fills, tape hiss, and detuned guitar; leading one to believe that Empath are going for much trippier sonic territory than their noise-punk roots suggest. Of course, hearing Elicson's manic yelped/shouted vocals on the blistering "No Attachment" could also simply mean that the band will be blowing out sweaty basement punk shows for the foreseeable future. Either way, the cathartically brief Liberating Guilt and Fear is an essential listen for anyone with an affinity for jagged punk and Ornithology.