Music Pick of the Week



Spectral Estate

Year of release: 2018



Alabama-based spoke word artist/conjurer of nightmares Matt Finney doesn't do half-measures. His contributions to the realm of apocalyptic doom-gaze (if that's even a thing) has given us some of the decade's most transcendent music; particularly his work with Ukranian composer Oleg Shpudeiko (aka Heinali). For starters, try listening to 2011's crushingly brilliant Conjoined; which interspersed sweeping arrangements with Finney’s mournful lyrics. Then there was his collaboration with ambient Dutch musician Mories, who partnered up in 2014 for EP Creation Myths and then later with Love Songs and Christian Country Home; the later of which was the apex of analog synth soundscapes and despairing wordplay.

Now we have Finney's latest project, Clawing, which teams him up with Austin Gaines (of industrial noise-punk-metal band calques) and electronic musician Jeff Mcleod. The result of their powers is Spectral Estate; an ear-scraping, tectonic plate-shifting blend of noise, doom, and yes, bleak prose. Finney's lyrical preoccupations are like visual tapestries of human misery; snapshots of grotesquery, filth, piss, and regret, but in true David Lynch fashion, such visions are beautiful (and often darkly humorous) because they exist in the real world.

Epic opener "Mythology" is a good example of this template, with Finney whispering the lines Woke up twenty years too late/next to the wrong person/and addictions/and doors that wouldn't open over metallic rumbling, jangly guitar arpeggios, and what sounds like rustling wind. The song eventually devolves into a mechanized pool of sensory feedback loops swallowing everything alive. It's also 11-minutes long.

The remaining five tracks are just as cacophonous; from noise-pedal distortion ("Gourds"),  a prolonged 2001-esque plunge into wormholes ("A Clearing"), industrial helicopter blades ("Coma"), intergalactic static ("Plastic Glowing Stars") and horn-rattling sleeplessness ("Home"). All the while, Gaines and Mcleod's immersive production blares, fades, crunches and burns like battery acid. Every once in a while, Finney shows up, drops a few lines, and then slithers away into the inky blackness. Is Spectral Estate the sound of our nightmares, or are we even asleep? This unnerving, insomnia-inducing soundtrack certainly won't provide any answers, but only new mysteries to keep us up at night.