Year of release: 2018
by Jericho Cerrona
Los Angeles-based singer-songwriter/multi-instrumentalist Julia Holter has made an uncompromising masterwork with Aviary; a kaleidoscopic, 90-minute trip through the compositional cosmos. If 2015’s critically acclaimed Have You in My Wilderness was zen chamber pop for lazy days, then Aviary is what happens when Holter retreats so far inward that her brain starts to explode.
While it’s easy to praise artists for going more avant-garde, Holter has always used the contours of pop music in order to explore psychological states of being. Here, she uses a variety of baroque instrumentation— piano, sax, harps, strings, choral chanting, drone—and then wraps them around her otherworldly, often overlapping, vocals.
“Everyday is an Emergency” is a doomsday lament for the end times set to mournful bagpipes. “Another Dream” is some serious Brian Eno shit; with space age synths, fluttering harps, and processed alien vocals. “I Shall Love 2” is a gorgeous mantra of human compassion in which Holter sings What do the angels say? I shall love. “Underneath the Moon” sounds like a trip down a Tibetan river on LSD. And the list goes on and on, with Holter stretching herself further into the outer reaches. Aviary is an experiential album, but also deeply personal. Political, but not didactic. Experimental, but never alienating. Most of all, it is Holter’s most ambitious and mature work to date; leaving the listener reeling, lost in the sonic ether.